Tatyana I. Naumenko

In 1984 she graduated from the Faculty of History, Theory, and Composition of the Gnesin State Music and Pedagogical Institute (now the Gnesin Russian Academy of Music). In 1987 she completed postgraduate studies (in the class of Doctor of Art Studies, Professor N. S. Gulyanitskaya).

Her Candidate of Art Studies dissertation, «The Principle of Prose in Soviet Vocal Music of the 1960s–1980s», was defended in 1989; her Doctoral dissertation, «Musicology: The Style of a Scholarly Work», in 2005.

After completing her postgraduate studies in 1987 she joined the Department of Harmony and Solfeggio (now the Department of Music Theory). T. I. Naumenko’s teaching experience covers harmony and solfeggio on all faculties of the Academy, as well as supervision of graduation theses and Candidate dissertations. Since 2004 she has taught a special author’s course for postgraduates, «The Scholarly Text».

Her students include university and college teachers of music, music editors, and specialists in cultural management. Under her supervision ten Candidate dissertations have been defended.

She is the author of over two hundred publications, including three monographs – «Musicology: The Style of a Scholarly Work (Towards a Statement of the Problem)» (2005), «Textology of Music Scholarship» (2013), and «Textological Aspects of Musicology in Russia and the Former Soviet Union» (2017) – articles in Russian and international scholarly journals, and five school textbooks in music for grades five to nine, which have been adopted in general‑education institutions across all regions of Russia.

T. I. Naumenko has organised a number of all‑Russian and international scholarly conferences held regularly at the Gnesin Russian Academy of Music, including:

• «Musicology at the Beginning of the Century: Past and Present» (Russian Humanities Research Foundation grants, 2002 and 2007).
• «Musicology in the Twenty‑First Century: Paths and Quest» (Russian Humanities Research Foundation grant, 2014).
• «Scholarly Schools in Musicology of the Twenty‑First Century» (2020).
• «Research of Young Musicologists».

She is executive editor of twenty collections of scholarly articles and conference proceedings. She is a member of the Moscow Union of Composers and serves on dissertation councils at the Gnesin Russian Academy of Music and the Belarusian State Academy of Music.

Main publications:

Monographs and textbooks:

• T. I. Naumenko, Muzykovedeniye: stil nauchnogo proizvedeniya (opyt postanovki problemy) [Musicology: The Style of a Scholarly Work (Towards a Statement of the Problem)], Moscow, Gnesin Russian Academy of Music, 2005, 212 pp.
• T. I. Naumenko, Tekstologiya muzykal’noy nauki [Textology of Music Scholarship], Moscow, Pamyatniki istoricheskoy mysli, 2013, 584 pp.
• Tatyana Naumenko, Textological Aspects of Musicology in Russia and the Former Soviet Union, Moscow, Progress‑Tradition, 2017, 448 pp.
• Iskusstvo: Muzyka, grade 5, textbook by T. I. Naumenko and V. V. Aleyev, ninth revised edition, Moscow, Drofa, 2020.
• Iskusstvo: Muzyka, grade 6, textbook by T. I. Naumenko and V. V. Aleyev, eighth revised edition, Moscow, Drofa, 2020.
• Iskusstvo: Muzyka, grade 7, textbook by T. I. Naumenko and V. V. Aleyev, eighth revised edition, Moscow, Drofa, 2020.
• Iskusstvo: Muzyka, grade 8, textbook by T. I. Naumenko and V. V. Aleyev, eighth revised edition, Moscow, Drofa, 2020.
• Iskusstvo: Muzyka, grade 9, textbook by T. I. Naumenko and V. V. Aleyev, sixth stereotyped edition, Moscow, Drofa, 2019.

Articles, reviews, interviews:

• T. I. Naumenko, «Levon Akopyan: “Contemporary Musicology Must Be Interesting for the Reader” (Interview)», Uchenyye zapiski Rossiyskoy akademii muzyki imeni Gnesinykh («Scholarly Notes of the Gnesin Russian Academy of Music»), 2012, no. 2, pp. 3–26.
• T. I. Naumenko, «Contemporary Music and the Educational Process: Reflections of a Musicologist», Gumanitarnyye issledovaniya v Vostochnoy Sibiri i na Dal’nem Vostoke («Humanities Research in Eastern Siberia and the Far East»), 2012, no. 2, pp. 98–101.
• T. I. Naumenko, «“I Always Find It Interesting to Hear Something New...”: The Composer Kirill Volkov», Muzyka i vremya («Music and Time»), 2012, no. 5, pp. 58–62.
• T. I. Naumenko, «Contemporary Musicology and the “Style of the Time”», Zhurnal Obshchestva teorii muzyki («Journal of the Society for Music Theory»), 2013, no. 1, www.journal-otmroo.ru.
• T. I. Naumenko, «Scholarly Textualisation as a Process: On Dissertations of the 1990s–2000s», Muzykovedeniye («Musicology»), 2013, no. 6, pp. 40–45.
• T. I. Naumenko, «A Festival of Russian Musicology», Muzykal’naya akademiya («Music Academy»), 2014, no. 4, pp. 1–10.
• T. I. Naumenko, «Music as a National Artistic World: On the Anniversary of the Kazan Conservatoire», Muzykal’naya akademiya, 2015, no. 3, pp. 42–46.
• T. I. Naumenko, «Directions of Music Scholarship in Russia: Based on Dissertations from the 1930s to the 2000s», Zhurnal Obshchestva teorii muzyki, 2016, no. 4, www.journal-otmroo.ru.
• T. I. Naumenko, «Contemporary Musicology in the Global Scholarly Context: Towards a Statement of the Problem», in Muzyka v dialoge kultur i tsivilizatsiy («Music in the Dialogue of Cultures and Civilisations»), proceedings of the international conference marking the seventieth anniversary of the Nizhny Novgorod State Conservatoire named after M. I. Glinka, vol. 1, Nizhny Novgorod, 2016, pp. 12–20.
• T. I. Naumenko, «“Contemporary Harmony” in Teaching Practice of the 1970s: The Beginning of a New Stage in Musicology», in Muzykal’noye obrazovaniye v kontekste kultury («Music Education in the Cultural Context»), conference proceedings, Moscow, Probel, 2017, pp. 159–168.
• T. I. Naumenko, «Working on Soviet Opera after 1936», Sovremennyye problemy muzykoznaniya («Contemporary Musicology Issues»), 2017, no. 4, pp. 25–44.
• T. I. Naumenko, «Prospects for Bringing Russian and International Musicological Traditions Closer Together», in Iskusstvovedeniye v kontekste drugikh nauk v Rossii i za rubezhom («Art Studies in the Context of Other Disciplines in Russia and Abroad»), proceedings of the international conference (23–28 April 2017), Moscow, Soglasie, 2017, pp. 84–93.
• T. I. Naumenko, «Levon Akopyan: “If Our Word Is Not Empty, We Do Not Live in Vain” (Interview)», Uchenyye zapiski Rossiyskoy akademii muzyki imeni Gnesinykh, 2018, no. 3, pp. 4–14.
• T. I. Naumenko, «Scholarly and Methodological Work at the Gnesin State Music and Pedagogical Institute in Its First Decade», in Muzykal’naya nauka v kontekste kultury: k 75‑letiyu Rossiyskoy akademii muzyki imeni Gnesinykh («Music Scholarship in the Cultural Context: Towards the Seventy‑Fifth Anniversary of the Gnesin Russian Academy of Music»), Moscow, Probel‑2000, 2018, pp. 18–27.
• T. I. Naumenko, «Towards the Seventy‑Fifth Anniversary: An International Conference at the Gnesin Russian Academy of Music», Muzykal’naya akademiya, 2019, no. 1, pp. 130–135.
• T. I. Naumenko and I. P. Susidko, «The Musical Term as a Problem: On the Fourth Congress of the Society for Music Theory», Zhurnal Obshchestva teorii muzyki, 2019, no. 4, pp. 1–9, http://journal-otmroo.ru/....
• T. I. Naumenko, «The Department of Music Theory of the Moscow Conservatoire: At the Origins of Theoretical Musicology (Based on Archival Materials)», Nauchnyy vestnik Moskovskoy konservatorii («Scholarly Bulletin of the Moscow Conservatoire»), 2020, no. 2 (41), pp. 8–21.
• T. I. Naumenko, «“Valya Kholopova Loves Music Very Much...”», Uchenyye zapiski Rossiyskoy akademii muzyki imeni Gnesinykh, 2020, no. 2, pp. 5–10.
• T. I. Naumenko, «Soviet Opera in Everyday Documents (Based on Archival Materials of the 1930s–1940s)», in Opera v muzykal’nom teatre: istoriya i sovremennost’ («Opera in the Musical Theatre: History and Modernity»), proceedings of the international conference (11–15 November 2019), vol. 2, ed. I. P. Susidko, Moscow, Gnesin Russian Academy of Music, 2019, pp. 191–201.
• T. I. Naumenko, «Scholarly and Methodological Work at the Gnesin State Music and Pedagogical Institute and the Political Events of the Late 1940s», in Gnesinskiye pedagogicheskiye shkoly («Gnesin Pedagogical Schools»), proceedings of the Second International Scholarly‑Practical Conference, ed. V. V. Aleyev, Moscow, Probel‑2000, 2020, pp. 153–161.
• T. I. Naumenko, «National Topics in Musicological Studies: History and Modernity», Muzykal’noye iskusstvo Evrazii: traditsii i sovremennost’ («Musical Art of Eurasia: Traditions and Modernity»), 2020, no. 1, pp. 28–34.
• T. I. Naumenko, «Soviet Musicology: Pro et Contra. Working with Archival Materials of the Soviet Era», in Muzykal’naya nauka v kontekste kultury. Muzykovedeniye i vyzovy informatsionnoy epokhi («Music Scholarship in the Cultural Context: Musicology and the Challenges of the Information Age»), conference proceedings (27–30 October 2020), ed. T. I. Naumenko, Moscow, Gnesin Russian Academy of Music, 2020, pp. 680–687.
• T. I. Naumenko, «The “Scholarly Map of Russia” as a Research Project: An Attempt at Systematising Musicology», Sovremennyye problemy muzykoznaniya, 2023, no. 1, pp. 56–71.
• T. I. Naumenko, «The First Jubilee», Muzykal’naya akademiya, 2023, no. 1, pp. 10–23.
• T. I. Naumenko, «The “Song Opera” of the 1930s: In Search of a New Poetics of the Genre», Problemy muzykal’noy nauki («Music Scholarship Issues»), 2023, no. 3, pp. 58–67.

Member of editorial boards of the following journals:

• Uchenyye zapiski Rossiyskoy akademii muzyki imeni Gnesinykh («Scholarly Notes of the Gnesin Russian Academy of Music»).
• Sovremennyye problemy muzykoznaniya («Contemporary Musicology Issues», Gnesin Russian Academy of Music).
• Teatr. Zhivopis’. Kino. Muzyka («Theatre. Painting. Cinema. Music», Russian Institute of Theatre Arts – GITIS).
• Yuzhno‑Rossiyskiy muzykal’nyy al’manakh («Southern Russian Musical Almanac», Rostov State Conservatoire named after S. V. Rachmaninov).
• Muzykal’noye iskusstvo Evrazii («Musical Art of Eurasia», Moscow Tchaikovsky State Conservatoire).
• The journal of the Kazan State Conservatoire named after N. G. Zhiganov.
• The journal of the Ural State Conservatoire named after M. P. Mussorgsky.

Member of editorial councils of the following journals:

• Nauchnyy vestnik Moskovskoy konservatorii («Scholarly Bulletin of the Moscow Conservatoire»).
• Vremennik Zubovskogo instituta («Zubov Institute Chronicle», Institute of Art History, St. Petersburg).
• Muzyka. Iskusstvo, nauka, praktika («Music: Art, Scholarship, Practice», Kazan State Conservatoire named after N. G. Zhiganov).

Awards:

• Honorary Diploma of the Minister of Culture of the Russian Federation (2013, 2020).
• Honorary Diploma of the Federal Treasury of the Russian Federation (2023).