She was born in 1971 in Moscow.
In 1993 she graduated from the Moscow M. M. Ippolitov‑Ivanov Music College, Choral Conducting Department.
In 1997 she graduated with distinction from the Faculty of Sound Engineering at the Gnesin Russian Academy of Music.
From 1994 to 2004 she worked as a sound engineer in the Turne studio and other commercial studios, and since 2004 she has been a sound producer and sound engineer for commercial projects.
Selected studio work includes:
- the group «Kváttral»;
- the albums «Entrance for Outsiders»;
- «The World of Pink Dolls» (with Kristina Orbakaite, Vladimir Presnyakov, and Valery Syutkin);
- «KvaMak» (with Andrei Makarevich);
- the group «Krupskiy i Sotovarishchi»;
- the album «Other People’s Songs and Some of Our Own»;
- the group «Chyorny obelisk»;
- the album «Post‑album»;
- Alexei Aigi’s ensemble «4:33»;
- the group «Va‑Bank»;
- the group «Neprikasaemye»;
- the groups «Nogu svelo!», «Serga»;
- Garik Sukachyov’s solo projects;
- the group «Stary priyatel»;
- the project «Balu»;
- pianist Leonid Chizhik;
- the group «Bolshoe spasibo»;
- the Russian–Indian–British project «India Inside» supported by the Ministry of Foreign Affairs of Russia;
- «Doomsday Clock» by the group Kipelov;
- the album «Botsman i brodyaga – 2» by Garik Sukachyov and Alexander F. Sklyar (2021), and many others.
She has worked as a concert sound engineer since 1999, and has been chief sound engineer for major events including Miss Russia 2010, the Golden Mask awards (2009, 2010), the 100‑day Festival of Azerbaijani Culture in London (2014–2015), and the music‑theatre production «The Thaw».
Her concert work includes collaborations with Alexei Aigi and the ensemble «4:33», «Croxssroads», «Nepara», Demis Roussos, «Bad Boys Blue», «Neprikasaemye», «Moscow Grooves Institute», «Vezhlivy otkaz», VIA «Tatyana», the group «Bolshoe spasibo», projects with Viktor Sorokin, and she has served as sound engineer for the symphony‑orchestra projects «Aria with Orchestra» and «Kipelov with Orchestra» and for the jubilee orchestral concert of Valeriya.
She was sound engineer for the programme «Vozdukh» on Nashe Radio in 2015.
She has taught at the Gnesin Russian Academy of Music since 2005 (Senior Lecturer) and at the Institute of Contemporary Art since 2009 (Associate Professor).
She has given masterclasses at the Rostov State Conservatory, in Saint Petersburg (Institute of Trade Unions), in Pyongyang (People’s Theatre), and in the USA (Berklee College of Music).
She has recorded and mixed music for feature, documentary, and short films.
She is the author of articles in the journal «Zvukorezhisser» on the topic of studio recording and mixing in popular‑music genres.
From 2001 to 2004 she served on the jury of the Viktor Babushkin Young Sound Engineers Competition.
Selected theatre sound‑design credits:
Sovremennik Theatre:
- «The Barrel Organ», after Andrei Platonov, directed by Mikhail Efremov;
- «Anarchy», after Oleg Pekker, directed by Garik Sukachyov;
- «Two for the Seesaw», directed by Galina B. Volchek (with Chulpan Khamatova);
- «Amsterdam», directed by Sergei Gazarov;
- «The Homecoming», directed by Sergei Gazarov;
- «Papa», directed by Yevgeny Arye (with Sergei Garmash).
Theatre of Nations:
- «The Taming of the Shrew», directed by Roman Feodori (with Chulpan Khamatova).
Union of Theatre Workers (STD) venue:
- «Don Juan», after Pushkin, directed by Alexander Agranovich (with Viktoria Tolstoganova).
Oleg Tabakov Theatre:
- «The Government Inspector», directed by Sergei Gazarov (with Vladimir Mashkov).
