Evgeniya O. Andreiko

Associate Professor of Solo Singing Department No. 1

Biography

E. O. Andreyko graduated with honors fr om the F. P. Pavlov Cheboksary Music College in 2005, majoring in Vocal Art, with a qualification as a Choir and Ensemble Artist.
In 2008, she graduated with honors from the I. N. Ulyanov Chuvash State University, majoring in Musicology (under the tutelage of Doctor of Arts, Professor, Honored Artist of the Russian Federation M. G. Kondratyev), with a qualification as a Musicologist and Teacher of Musicology.
In 2010, she graduated with honors from the Gnesin Russian Academy of Music (class of People’s Artist of the RSFSR V. N. Levko), majoring in Vocal Art (Academic Singing), with a qualification as an Opera Singer and Teacher.
In 2016, she completed her postgraduate studies at the Gnesin Russian Academy of Music in the field of Art History (50.06.01), with a qualification as a Researcher and Teacher-Researcher.

On December 22, 2015, E. O. Andreyko was awarded the degree of Candidate of Arts (PhD equivalent). Her dissertation title: «M. D. Mikhailov: Creative Activity and Performance Style» (Scientific Advisor: M. S. Agin, Honored Artist of the Russian Federation, Honored Worker of Culture of the Russian Federation, Candidate of Pedagogical Sciences, Professor).

In 2019, she was awarded the Highest Qualification Category for the position of «Teacher.»

From 2012 to 2020, she served as a teacher in the Choral Conducting Department at the Gnesin College of Music. Since 2020, she has been an Associate Professor at the Department of Solo Singing No. 1 (headed by M. S. Agin) at the Gnesin Russian Academy of Music. On July 9, 2026, she was awarded the academic rank of Associate Professor in the field of Arts.

E. O. Andreyko is the author and compiler of the following curricula: Interdisciplinary course:

«MDK.02.02. Educational and Methodological Support of the Educational Process»;
«UP.06. Methodology of Teaching Vocal Disciplines, including Pedagogical Practice».

As an educator, E. O. Andreyko conducts lectures and masterclasses within the framework of scientific and practical conferences, as well as international schools and professional development programs:

Lectures for professional development courses for teachers of Children’s Schools of Arts in the Moscow Region, specializing in «Solo Singing» (Scientific and Methodological Center of the Moscow Provincial College of Arts, 2016);
Masterclass «The Role of Exercises in Developing Proper Vocal Skills in International Students» for university students (Gnesin Russian Academy of Music, 2021);Masterclass: Developing Vocal Technique through Antonida’s Romance from M. I. Glinka’s Opera «A Life for the Tsar»;
Lectures and masterclass «The Singer’s Work on Diction: Russian Repertoire» as part of the III International Summer School program (Gnesin Russian Academy of Music, 2023).

E. O. Andreyko is a member of the organizing committee for the annual Natalia Shpiller International Vocal Competition «Masterpieces of Russian Music» (2020-2025), actively participating in the management and execution of the event.

From 2017 to 2021, E. O. Andreyko served as a jury member for the Mitino Festival and Competition of Vocal Arts «Silver Voices» at the Mitino Cultural Center (Moscow).

In 2023, she served as the Chair of the Jury for the XLII Competition of Young Musicians at the «Radost» Center. Since 2024, E. O. Andreyko has been a member of the jury for the Festival-Review of Graduates of Music Colleges and Arts Colleges.

Creative Biography

2007 — Internship at the Teatro alla Scala Academy (Italy); participant in Fiorenza Cossotto’s masterclass.
2010 — Internship at the Fryderyk Chopin University of Music (Warsaw, Poland) in the class of Professor Jadwiga Rappé; awarded a Diploma for the best performance of F. Chopin’s songs.
2010 — Participant in the International Music Festival and Competition in Suwałki (Poland), wh ere E. O. Andreyko became the first performer of the role of Sofia in the premiere production of S. Moniuszko’s opera Don Quixote, and was awarded a Diploma.

Since 2010 — Guest soloist at the Moscow State Philharmonic. Performance of solo projects: «A. S. Pushkin in Music», «Vocal Music of the Baroque Era», «The Charm of the Russian Romance», «Romances on Verses by Silver Age Poets», S. Prokofiev’s The Ugly Duckling, and M. Mussorgsky’s vocal cycle The Nursery (presented by A. Vargaftik).

She has produced four studio recordings: Ancient Italian Arias, M. Mussorgsky’s vocal cycle The Nursery, Romances and Songs by 19th-Century Russian Composers, and Romances on Verses by A. S. Pushkin.

E. O. Andreyko maintains an active concert schedule, performing in solo and mixed programs at the Moscow State Philharmonic, the Central House of Art Workers, the Gogol Center, the M. A. Bulgakov Museum, the K. S. Stanislavsky House-Museum, the Central House of Journalists, the Central House of Scientists, the China Cultural Center, as well as various cultural centers, educational institutions, and social welfare centers.

E. O. Andreyko develops and implements original charitable and educational projects:

The educational platform «Non-Boring Classics for Children» (Neskuchnaya klassika detyam) has been developed and operates at the Mitino Cultural Center (GBUK of Moscow). Within this framework, E. O. Andreyko performs musical works across the following thematic series: «A Vocal-Instrumental Journey Across Countries and Continents», «Fairy Tales Traveling the World», «The Seasons», «Musical Zoo», «Flowers in Music», «Bird Songs,» and «The Music Box»;
At the Gallery of the Mitino Cultural Center, the singer performs solo concerts as part of the subscription program «Vocal Music by Jubilee Composers».

E. O. Andreyko is a laureate of numerous international vocal competitions:

2nd Prize Laureate, V International Competition-Festival «Modern Art and Education» (Moscow, Russia, 2010);
2nd Prize Laureate, II International Arts Olympiad (Moscow, Russia, 2011);
1st Prize Laureate, International Vocal Art Festival-Competition «YOU’RE SUPER STAR» (Moscow, Russia, 2014);
3rd Prize Laureate, V International Festival of Military-Patriotic Songs «Waltz of Victory» (Moscow, Russia, 2014);
1st Prize Laureate, International Festival-Competition «World Talents» (Moscow, Russia, 2016);
1st Prize Laureate, International Vocal Art Festival-Competition «Starfall of Talents» (Moscow, Russia, 2016);
1st Prize Laureate, All-Russian Competition-Festival of the Argumenty Nedeli Publishing House, ART-Project «New Generation» (Moscow, Russia, 2016);
1st Prize Laureate, International Festival of Russian Culture «Golden Rus» (Moscow, 2016);
2nd Prize Laureate, International Vocal Competition for Young Performers named after I. O. Dunaevsky (Moscow, Russia, 2016);
1st Prize Laureate, International Creativity Festival-Competition «Vivat Voice» (Moscow, Russia, 2020);
1st Prize Laureate and Gold Medalist, International Music Moscow Competition (Moscow, Russia, 2021);
2nd Prize Laureate, International Festival-Competition of Culture and Arts «Italian Evenings in Russia» (Moscow, Russia, 2021);
1st Prize Laureate, IX International Foreign Creativity Festival-Competition «TALLIN FEST» (Tallinn, Estonia, 2021);
1st Prize Laureate, XXVII International Foreign Competition Concorso Internazionale All’estero-Festival «Cuore D’Italia» (Pisa, Italy, 2021);
1st Prize Laureate, IX International Foreign Festival-Competition «Art Paris Fest» (Paris, France, 2021);
1st Prize Winner, International Festival-Contest of Creativity «Bethlehem Star» (Jerusalem, Israel, 2022);
3rd Prize Winner, International Competition of Young Performers «Golden Note» (Moscow, Russia, 2023);
1st Prize Winner, V International Vocal Competition «Vocal Sensation» (Moscow, Russia, 2025);
1st Prize Winner, VI International Festival-Contest of Stage and Fine Arts «Big Stage» (Moscow, Russia, 2025).

In the field of vocal pedagogy, she has received the following awards:

Certificate of Honor from the I. S. Kozlovsky Foundation for contributions to the development of national musical and vocal art (2009);
Letter of Appreciation from the Scientific and Methodological Center of the Moscow Region College of Arts for delivering lectures to faculty members of children’s art schools in the Moscow region, specializing in «Solo Singing» (2016);
Letters of Appreciation for the preparation of students who became laureates of the following competitions:
1. International Competition of Musicians and Composers «Romanticism: Origins and Horizons» in memory of F. Schubert (2013);
2. VI International Festival-Contest of Creativity «Vivat Voice» (2020);
3. VI International Academic Vocal Competition «Cantabile» (2020);
4. II International Music Performance Competition «Atom Music Fest» (2021);
5. Federal Project: International Arts Competition «Planet of Arts» (2021);
6. International Festival-Contest of Culture and Arts «Italian Evenings in Russia» (2022);
7. II International Competition «Magic Muse» (2022);
8. International Festival-Contest «I am an Artist» (2022);
9. International Multi-genre Art Project «YOU CAN!!!», Festival-Contest of Arts «Starfall of Talents» (2023);
10. International Multi-genre Art Project «YOU CAN!!!», Festival-Contest of Arts «Christmas Stars» (2023).
Diploma of the All-Russian Historical and Literary Award «Alexander Nevsky» for the monograph Maxim Mikhailov: «A True Russian Bass» (2020);
Certificate of Merit from the Mitino Cultural Center (Department of Culture of Moscow) for dedicated creative work, high professionalism, and the aesthetic education of children and youth (2021); Letter of Appreciation for preparing students for their presentations at the All-Russian Scientific and Practical Conference «Music Theory Disciplines in the Children’s School of Arts Curriculum as a Foundation for the Humanistic Development of a Child’s Personality» (2022);
Letter of Appreciation for successful work at the III International Summer School (2023);
Letter of Appreciation from the Government of Moscow, the Moscow Department of Education and Science, and the Organizing Committee of the Moscow City Comprehensive Youth Education Program «Children of Moscow Sing» for highly professional service as the Jury Chair of the XLII Competition of Young Musicians of the «Radost» Center (2023);
Letter of Appreciation from the Organizing Committee of the International Festival-Competition «Italian Evenings in Russia» for supporting the preservation of cultural and historical heritage, contributing to international cultural relations, and fostering the engagement of young creative generations in the arts through participation in international cultural events (2024);
Letter of Appreciation for contributions to the development of culture at the V All-Russian Vocal Art Competition «Union of Vocalists» (2025);
Letter of Gratitude from the Organizing Committee of the IV International Multi-Genre Competition dedicated to the 185th anniversary of P. I. Tchaikovsky, for fruitful work in preserving cultural traditions, significant personal contribution to the development of high standards of artistic performance, and high professionalism in preparing students for the competition;
Letter of Appreciation for the popularization of art and culture, professional mentorship, and the preparation of winners for international and all-Russian competitive, cultural, educational, and exhibition events organized by the MCTR «Art Ptitsa» in the fields of art, culture, and science (2026);
Letter of Appreciation from the Ministry of Culture of the Republic of Crimea for high professionalism and for preparing the Grand Prix winner, Sofia Gordeeva, for the XXIII International Festival-Competition of Young Performers «Crimean Spring — 2026» (2026);
Letter of Appreciation from the Department of Culture of the Nizhny Novgorod City Administration, the Educational and Methodological Center for Art Education, and the A. I. Khachaturian Children’s School of Arts for preparing the laureate, Jiang Xiaohan, for the Aram Khachaturian International Festival-Competition of Arts (2026);
Letter of Appreciation for high professionalism in the education and development of the creative potential of children and youth, for introducing the younger generation to the arts, facilitating the realization of creative abilities, and preparing participants for the All-Russian Creative Festival-Competition «ART Territory» within the framework of the National Project «Festival of Arts» (2026);
Letter of Appreciation from the International Center for Support of Creativity and Talent «Art Victory» for the contribution to the aesthetic education of the younger generation at the International Competition of Instrumental and Vocal Art dedicated to the works of S. V. Rachmaninoff (2026).

E. O. Andreyko is actively engaged in research, participating annually in international, all-Russian, and inter-university conferences.

E. O. Andreyko is the author of two monographs and a study guide; she has published over twenty articles on performing arts, including those in leading peer-reviewed scientific journals recommended by the Higher Attestation Commission (VAK) of the Ministry of Science and Higher Education of the Russian Federation.

Monographs:

Andreyko, E. O. The Performing Art of M. D. Mikhailov in Materials, Analyses, and Photographic Documents. Cheboksary, 2015. — 176 p.;
Kondratyev, M. G., Andreyko, E. O. Maxim Mikhailov: «The True Russian Bass». Cheboksary, 2019. — 271 p.

Scientific Works:

Muzhzhavlyova, E. O. (Andreyko, E. O.) «Analysis of M. D. Mikhailov’s Concert Performance of Ruslan’s Aria ’O, Field...’» // Music and Time. — Moscow: Nauchtekhlitizdat LLC, 2014. — No. 3. — pp. 20-28. (Journal recommended by the Higher Attestation Commission);
Muzhzhavlyova, E. O. (Andreyko, E. O.) «The Art of Voice Control: A Case Study of Operatic Repertoire Performance by People’s Artist of the USSR M. D. Mikhailov» // Voice and Speech. Multidisciplinary Scientific and Practical Journal. All-Russian Public Organization «Russian Public Academy of Voice»: Sam Poligrafist LLC, 2014. — No. 1 (11). — pp. 28-33. (Journal recommended by the Higher Attestation Commission);
Muzhzhavlyova, E. O. (Andreyko, E. O.) «Approaches to the Phenomenon of the Performing Style of People’s Artist of the USSR M. D. Mikhailov» // Issues of Vocal Education: Methodological Recommendations for University and Secondary Vocational School Teachers / Ed. M. S. Agin. — Moscow; St. Petersburg: St. Petersburg Rimsky-Korsakov State Conservatory, Gnesin Russian Academy of Music, 2014. — pp. 150-157;
Andreyko, E. O. (2016). An Overview of M. L. Tariverdiev’s Vocal Works in the Context of Forming a Singer’s Chamber Repertoire. In M. S. Agin (Ed.), Issues of Vocal Education: Methodological Recommendations for Teachers of Higher Education Institutions and Secondary Specialized Educational Institutions (pp. 127-133). Moscow: Gnesin Russian Academy of Music;
Andreyko, E. O. (2017). Shakespeare’s Sonnets in the Musical Interpretation of D. B. Kabalevsky and M. L. Tariverdiev. In M. S. Agin (Ed.), Issues of Vocal Education: Methodological Recommendations for Teachers of Higher Education Institutions and Secondary Specialized Educational Institutions (pp. 173-179). Moscow: Gnesin Russian Academy of Music, PROBEL-2000;
Andreyko, E. O. (2018). Genre and Stylistic Features of M. L. Tariverdiev’s Opera «Count Cagliostro». In M. S. Agin (Ed.), Issues of Vocal Education: Methodological Recommendations for Teachers of Higher Education Institutions and Secondary Specialized Educational Institutions (pp. 185-192). Moscow: Gnesin Russian Academy of Music;
Andreyko, E. O. (2018). On Methods of Analyzing the Work of Opera Artists: The Case of M. D. Mikhailov’s Interpretation of the Role of Konchak. In M. G. Kondratyev (Ed.), The Phenomenon of Theater for the People: Collection of Articles and Materials: To the 100th Anniversary of the Chuvash State Academic Drama Theater named after K. V. Ivanov (pp. 183-187). Cheboksary: Chuvash State Institute of Humanities;
Andreyko, E. O. (2019). The Problem of Diction in Vocal Performance at the Current Stage of University Education. University Musicology: Proceedings of the Faculty of Arts, Issue 9 (pp. 16-20). Cheboksary: Chuvash State University Publishing House;
Andreyko, E. O. (2019). M. L. Tariverdiev’s Vocal Cycle «Shakespeare’s Sonnets»: Genre-Stylistic Origins and History of Creation. In M. S. Agin (Ed.), Issues of Vocal Education: Methodological Recommendations for Teachers of Higher Education Institutions and Secondary Specialized Educational Institutions (pp. 234-240). Moscow: Gnesin Russian Academy of Music;
Andreyko, E. O. (2020). Problems of Studying the History and Theory of Music of the Peoples of Russia. Materials of the All-Russian (with international participation) Scientific and Practical Conference (Cheboksary, October 2-3, 2018) (pp. 199-209). Cheboksary: Chuvash State Institute of Humanities;
Andreyko, E. O. (n. d.). The Phonetic Method of Voice Training: The Case of «Tatiana’s Letter Scene» from P. I. Tchaikovsky’s Opera «Eugene Onegin». In M. S. Agin (Ed.), Issues of Vocal Education: Methodological Recommendations for Teachers of Higher Education Institutions and Secondary Specialized Educational Institutions. / ed.-comp. M. S. Agin. — Moscow: Gnesin Russian Academy of Music, 2020. — pp. 169-174;
Andreyko, E. O. Russian Folklore in Chuvashia / E. O. Andreyko // Problems of Studying the History and Theory of Music of the Peoples of Russia: Proceedings of the All-Russian (with international participation) Scientific and Practical Conference (Cheboksary, October 2-3, 2018). — Cheboksary: CHGIGN, 2020. — pp. 199-209;
Andreyko, E. O. N. D. Shpiller’s Performance Interpretation of the Role of Olga from the Opera «The Maid of Pskov» by N. A. Rimsky-Korsakov / E. O. Andreyko // Music and Time. — 2021. — No. 5. — pp. 19-23;
Andreyko, E. O. Digitalization of Culture and Art: Russian and Foreign Experience / E. O. Andreyko, T. V. Muzhzhavleva // Digital Transformation of State and Municipal Administration: Proceedings of the All-Russian Scientific and Practical Conference (Cheboksary, July 1, 2021) / ed. N. V. Morozova. — Cheboksary: Publishing House «Sreda», 2021. — pp. 90-94;
Andreyko, E. O. The Birth of Opera in Italy (Early Bel Canto) / E. O. Andreyko // Issues of Vocal Education: Collection of Articles based on the Materials of the All-Russian Scientific and Practical Conference on Vocal Education / ed.-comp. M. S. Agin. — Moscow: MasterPrint; Gnesin Russian Academy of Music, 2021. — pp. 27-35;
Andreyko, E. O. Financing the Sphere of Culture and Art in Russia and Abroad during the Pandemic / E. O. Andreyko // Topical Issues of Economics: Collection of Scientific Papers. — Cheboksary: Chuvash State University Publishing House, 2021. — Issue 3. — pp. 15-19;
Andreyko, E. O. Features of Working on Cantilena: A Case Study of Vocalise No. 4 by I. Vilinskaya / E. O. Andreyko // Issues of Vocal Education: Collection of Scientific Papers / ed.-comp. M. S. Agin. — Moscow: Multiprint; Gnesin Russian Academy of Music, 2022. — pp. 226-233;
Andreyko, E. O. Fundraising and Endowment Funds as Forms of Financing Culture and Art / E. O. Andreyko, T. V. Muzhzhavleva // Digital Transformation of State and Municipal Administration: Proceedings of the International Scientific and Practical Conference / editorial board: N. V. Morozova [et al.]. — Cheboksary: Chuvash State University Publishing House, 2022. — pp. 10-17;
Andreyko, E. O. Formation of a Culture of Tolerance Among Students / E. O. Andreyko, N. A. Efremov, D. Kalátová, N. V. Morozova, T. V. Muzhzhavleva, M. P. Efremova, A. Lammert, I. A. Vasileva, N. V. Bondarenko // INTCESS 2022 — 9th International Conference on Education & Social Sciences, 17-18 January 2022 — Online Conference, pp. 366-372. (Web of Science);
Andreyko, E. O. (2023). A look at singing breath in the context of the historical development of Italian, French, and German vocal schools. Muzyka i vremya (Music and Time), (1), 3-7. [In Russian];
Andreyko, E. O. (2023). The problem of overcoming stage fright in primary school students. In M. S. Agin (Ed.), Voprosy vokal’nogo obrazovaniya: Sbornik nauchnykh trudov (Issues of Vocal Education: Collection of Scientific Papers) (pp. 340-350). Moscow: Multiprint; Gnesin Russian Academy of Music. [In Russian];
Andreyko, E. O. (2024). Problems of mastering the Russian opera repertoire by singers from China: A case study of the role of Triquet from P. I. Tchaikovsky’s opera «Eugene Onegin». In M. S. Agin (Ed.), Voprosy vokal’nogo obrazovaniya: Sbornik nauchnykh trudov (Issues of Vocal Education: Collection of Scientific Papers) (pp. 190-196). Moscow: Multiprint; Gnesin Russian Academy of Music. [In Russian];
Andreyko, E. O. (2024). The Aria of the Swan Princess from N. A. Rimsky-Korsakov’s opera «The Tale of Tsar Saltan»: Problems of vocal technique. Muzyka i vremya (Music and Time), (4), 18-23. [In Russian];
Andreyko, E. O. (2025). Analysis of vocal forms in M. L. Tariverdiev’s opera «Count Cagliostro». In M. S. Agin (Ed.), Voprosy vokal’nogo obrazovaniya: Sbornik nauchnykh trudov (Issues of Vocal Education: Collection of Scientific Papers) (pp. 324-332). Moscow: Masterprint; Gnesin Russian Academy of Music. [In Russian];
Andreyko, E. O. (2025). The role of vocalises in vocal-pedagogical work. Muzykovedeniye (Musicology), (10), 11-27. [In Russian];
Andreyko, E. O. (2026). Innovative approaches to the development of the singing voice in preschool children. In M. S. Agin (Ed.), Voprosy vokal’nogo obrazovaniya: Sbornik nauchnykh trudov (Issues of Vocal Education: Collection of Scientific Papers) (pp. 376-384). Moscow: Masterprint; Gnesin Russian Academy of Music. [In Russian];
Andreyko, E. O. (2026). The chamber heritage of P. Viardot: A case study of the romance «The Solution» (lyrics by I. S. Turgenev) in the aspect of vocal-technical realization. Muzykovedeniye (Musicology), (9), 3-8. [In Russian].

Educational Publication:

Agin, M. S., & Andreyko, E. O. (2021). Orthoepic transcriptions of the Russian opera repertoire: A case study of N. D. Shpiller’s performance interpretation: Teaching manual. Moscow: Gnesin Russian Academy of Music Publishing House. [In Russian].